Recently in Profile Category

Have you heard of Access Northern California (ANC)? As a Board member I get the inside story. Read about last year's accomplishments by Bonnie Lewkowicz of ANC:

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  • Completed the Wheeling Cal's Coast website which experienced 7,000 visitors in 2011.
  • Added a trails feature to the Access Northern California website.
  • Partnered with Open Doors Organization based out of Chicago to conduct 35 customer service trainings for Amtrak service employees.
  • Partnered with Berkeley Center for Independent Living to conduct disability awareness trainings for the Oakland Airport and Alameda County Probation Department.
  • onducted a disability awareness training for Golden Gate National Recreation Area (GGNRA.)
  • Hosted a booth at the San Jose Abilities Expo where we distributed 400 Wheelchair Rider's Trail Guides and collected 85 new subscribers for the newsletter.
  • Attended the LA Expo and distributed 200 postcards about the Wheeling Cal's Coast website.
  • Produced 3 issues of the ANC e-newsletter which was sent to 800 people.


Lean more at: http://www.accessnca.org/

Parkour: SideStix Style!

I can't guarantee that you too will be able to do this with your SideStix - but you never know
until you try!
 

SideStix
http://us2.campaign-archive2.com/?u=c719730d3d64cf362c87aabcb&id=cc2cad8484&e=2789de3eae

For decades the traditional sales pitch for Universal Design has included "and ramps help those pushing baby strollers/prams..."


So read this tribute to Universal Design by Meg Nesterov Knocked Up Abroad:

Knocked up abroad: second trimester travel



Knocked up abroad: international travel with a baby



Knocked up abroad: the baby-friendly difference

The Reeve Foundation has just released the 2011 Holiday Gift Guide for Individuals Living with Paralysis. 

Foundation staff and community members have rounded up dozens of useful products, with links on where to find them, in categories ranging from travel to active living to wheelchair accessories to assistive technology. There's even a category for splurges.

 
And also recently out, their recommended apps for 2011 for iPhone, iPad, Android and other devices, which also has a section on travel:

Molly Hale's Story

Watch the story of Molly Hale

Marcelo Yuka: Down but Not Out

Panoram Cristo Redentor, Bahia de Guanabara, P...

Image via Wikipedia

A musician with a social message, Marcelo Yuka was at the height of his success as the songwriter, drummer and leader of O Rappa -- one of the main Brazilian pop-rock bands in the 90s. But in 2000, nine gunshots during an assault in Rio de Janeiro put him in a wheelchair at age 34. This documentary accompanies Yuka's transformation since then, revealing his irreverence and complexity as an artist and activist. While searching for physical, mental and spiritual health, Yuka takes risks with new sounds and follows the signs in an unceasing struggle for social justice and peace.


Aos 34 anos, Marcelo Yuka estava no auge do sucesso como baterista e líder da banda O Rappa, uma das mais importantes do cenário pop rock dos anos 90. Mas em novembro de 2000 sua vida mudaria radicalmente ao levar 9 tiros num assalto no Rio de Janeiro. O documentário de Daniela Broitman, acompanha a transformação do músico desde o incidente, revelando a irreverência e complexidade do Yuka homem, artista e ativista. O espectador compartilha de maneira íntima seus questionamentos em relação ao próprio corpo, mente e espírito, assim como sua nova produção musical e luta por justiça social e paz.

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Touch Graphics' Talking Tactile Pen

INTREPID MUSEUM ANNOUNCES MULTI-SENSORY MUSEUM GUIDE

Talking Tactile Pen

Intrepid Museum Announces Multi-Sensory Museum Guide based on Touch Graphics' Talking Tactile Pen

The Intrepid Museum Complex on Manhattan's west side includes an aircraft carrier, submarine, and supersonic airliner arranged along a pier in the Hudson River. Our new audio-tactile booklet presents the layout of the complex, including detailed maps of each level of the aircraft carrier. Using the Talking Tactile Pen, users gets a guided tour of the complex, which can be taken on the exhibit floor, with book and pen in hand, or remotely, at home or at school. Brightly colored touchable images and diagrams show key items along the path. As users touch each item they encounter with the tip of their pen, they hear extensive explanatory descriptions and recordings, including interviews with historical figures and experts on the subject matter. The system embeds detailed instructions for use, and allows user control of volume by tapping "buttons" on the back cover.

The TTP delivers an immersive, multi-sensory experience that deepens engagement with exhibit content and expands museum audiences. TTP Guides can enrich visitor experiences in outdoor venues such as zoos, botanical gardens, on urban walking tours, and in museums and other self-guided exhibit environments. 

Other TTP titles currently in production are:

Audio-tactile books are inexpensive to produce. The vinyl pages are waterproof: just rinse them with soap and water to clean. Museum Guides based on this idea could be sold as souveniers in museum gift shops. Please contact  info@touchgraphics.com for pricing and institutional references. 

Intrepid Booklet Cover
The Intrepid Museum Guide Booklet Cover

Souce:
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BrailleType

From The Next Web:

Ankit Daftery

 is an engineering student at the Veermata Jijabai Technological Institute in Mumbai, India and he decided to take it upon himself to add the ability for the blind to type on an Android device. He was convinced he could add Braille support to the mobile platform.

Today, he is starting to turn that idea into a reality. OnlyGizmos brings us this video where the enterprising student earnestly speaks about BrailleType, a simple but ingenious application that will allow blind people to type on a smartphone using the Braille alphabet much in the same way that they use it for reading.

BrailleType gives the user a blank canvas, with the top 90% of the screen available to the user for entering in the characters and a strip at the bottom displaying them as they are typed, in addition to reading them out using Android's built-in text-to-speech synthesiser.

Just like Braille users read text written in the language by feeling the positions of the raised characters with the tip of their fingers, so they can type by touching the display with their fingers according to the established patterns of the Braille alphabet. Take a look at the video embedded below to see Daftery providing a live demo of the app:

Read more: http://thenextweb.com/apps/2011/10/18/brilliant-this-android-app-lets-blind-users-type-on-a-touchscreen-video/
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Que tal se, ao invés de nos perguntarmos "Qual é o custo de tornar isso acessível?" nos perguntássemos, "O que há de tão especial nesta situação a ponto de justificar a exclusão?"

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Historicamente, a acessibilidade foi o bordão de um movimento político surgido a partir da era dos direitos civis nos anos 1970. A inclusão é sua filha - um objetivo que reflete uma rede globalizada, na qual a liberdade de movimento e a participação integral de todos é algo esperado - e reverenciado enquanto direito.

Economicamente, a inclusão expande o seu mercado. Ela faz sentido como um negócio bem-sucedido. A propaganda convence o consumidor de que ele precisa de seu produto - quer ele precise ou não. Criar um produto que comunique, à primeira vista, a ideia de que é utilizável por um consumidor em potencial faz com que o produto anuncie a si mesmo. Os consumidores que, via de regra, são deixados de lado tendem a demonstrar menos entusiasmo em suas lealdades quando descobrem que uma empresa faz um esforço acima da média para satisfazer suas necessidades. Pense no sorriso de uma criança com deficiência quando, ao perceber que o playground permite que ela seja incluída também, corre para brincar nele. Os consumidores adultos não são muito diferentes!

Enquanto a acessibilidade é passiva - deixa a porta aberta, sem obstáculos no caminho - a inclusão ativamente convida você a entrar e a participar da rede humana além da passagem desimpedida. A acessibilidade vê coisas e espaços. A inclusão vê a vida humana.

A acessibilidade olha para trás. Ela percorre meio caminho na direção de padrões ultrapassados e artificiais a respeito do que - e de quem - é "normal". A acessibilidade, com frequência, torna-se "mera adequação", uma obsessão com listas, um receio de que as pessoas com deficiência representem problemas na gestão de riscos. Enquanto desliza de marcha-ré por esse escorregador,  a acessibilidade aceita o desempenho no padrão do "menos pior" - e tem como objetivo apenas o mínimo que possa ser configurado conforme o acordo político da legislação, os regulamentos e a obediência às normas. A acessibilidade estabelece um piso, mas frequentemente parte do pressuposto de que o teto está além do alcance.

 

A inclusão diz respeito à comunidade

A inclusão olha para a frente. Ela envolve o acolhimento dos recém-chegados por parte daqueles já privilegiados pelo acesso a um bem social em particular. Ela é a resposta hospitaleira - o sinal de uma comunidade saudável.

Enquanto a mera acessibilidade falha ao deixar as crianças com deficiência timidamente às margens de um playground bem-intencionado, a inclusão dá um passo à frente, muitas vezes além do design físico, e educa a comunidade quanto ao potencial do design.

O impacto positivo de um playground sobre uma comunidade pode ser facilmente medido. A inclusão desafia a comunidade a não deixar de medir o impacto do bom design sobre os membros dessa mesma comunidade que costumavam ser excluídos. A inclusão vai além das simples dimensões da infraestrutura física e registra o aumento do capital social, bem como, ao fazer isso, convida novos membros da comunidade a participarem plenamente.

O Instituto para o Design Centrado na Pessoa, em Boston, explica o modo pelo qual o Design Universal (moldado no conceito da inclusão) vai além do simples acesso:

O Design Universal é um framework para o design de espaços, objetos, informação, comunicação e políticas utilizáveis pelo maior número possíel de pessoas, operando na mais ampla gama de situações, sem um design especial ou separado. O Design Universal é, simplesmente, o design, centrado na pessoa, de tudo, com todos em mente.

O Design Universal é também chamado Design Inclusivo, Design para Todos e Design para o Ciclo da Vida. Ele não é um estilo, mas sim uma orientação para todo processo de design que parta de uma responsabilidade para com a experiência do usuário.

O Design Universal e o design ecológico são, confortavelmente, dois lados da mesma moeda, mas em diferentes estágios evolucionários. O design ecológico tem seu foco na sustentabilidade ambiental, e o Design Universal na sustentabilidade social (fonte: www.adaptenv.org).

Design Universal não significa "tamanho único". Um objetivo desses seria impossível. Mesmo no ciclo da vida de uma única pessoa, a estatura, a habilidade e os desejos mudam. Por isso, alguns preferem o termo "Design Inclusivo" para indicar que a inclusão torna socialmente sustentável a melhor acessibilidade, ao permanecer intensamente engajada na solução de problemas com aqueles em desvantagem quanto ao que passa por normal.

Onde mais, exceto num playground inclusivo, os pais das crianças temporariamente não-deficientes podem aprender a lidar com os inevitáveis arranhões, torções e braços quebrados da infância? Haveria um local de encontro mais natural para esses pais se beneficiarem do conhecimento prático e da resiliência de pais cujos filhos têm deficiência?

E quanto àqueles tentados a justificar a mera acessibilidade devido a fundos insuficientes? Ao argumentar com aqueles que controlam as despesas, responda com os custos de manter áreas de recreação "especiais" separadas, segregadas e estigmatizadas.

Em tempo de eleição, lembre os tomadores de decisões do valor de se ter constituintes (previamente ignorados) com uma lealdade entusiástica. Playground também dá votos.

A acessibilidade é um fazer para - uma tarefa do século XX. A inclusão é um fazer com - uma visão do século XX1. Qual das duas abordagens torna as comunidades mais fortes?

 

Scott Rains escreve sobre viagem e outros assuntos de interesse para as pessoas com deficiência. Seu trabalho aparace em muitas publicações e no site RollingRains.com. Ele é o fundador do fórum global sobre turismo inclusivo Tour Watch e trabalha em todo o mundo como um defensor do turismo inclusivo. Seu email é srains@oco.net.

Coat of arms of Barbados

Image via Wikipedia

Shirley Barber has published another article in the "Makeover" series at RollingRains.com

These articles are a series of suggestions for simple changes to existing tourism products that make them more appealing to travelers with disabilities and that signal to the industry that we are a viable market. 
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Manifesto text

Manifesto for the Promotion of Accessible Tourism
Putting into effect art. 30 of UN Convention concerning disabled people
rights ratified by Law n.18 of 24/2/09

1. People in the most complete meaning of the term, with their specific needs resulting from personal and health conditions (for example: motor, sensory, intellectual disabilities, food intolerances, etc.), are citizens and customers who have the right to autonomously make good use of all the tourist services on offer, being supplied with suitable services with a just quality/price ratio.

2. Accessibility involves the whole tourist service chain, both at national and local level, starting with:
   a. Transport network;
   b. Accommodation capacity;
   c. Restaurants and cafés;
   d. Culture, leisure and sports.

3. Location accessibility shall not be the decisive factor when planning holidays: it should be possible to choose a destination or a tourist facility because it is where we want to go and not because it is the only accessible one.

4. It is necessary to think of accessibility as access to life experiences, that is overcoming the concept of "standard", enhancing the value of the person/customer, who has specific needs.

5. Information about accessibility cannot be reduced to a mere symbol, but has to be objective, detailed and guaranteed, to allow each person to certainly evaluate by himself which tourist facilities and services are able to meet his specific needs.

6. It is necessary to promote positive communication, avoiding the use of discriminating words. It has to be distributed in formats that everybody can use, and through all tourist information and promotion channels.

7. As accessibility does not concern only structural and infrastructural aspects, but also the services offered to tourists, it is necessary to promote quality reception for everybody, that is to encourage a cultural change, that can result in changes in organization and management models, even before structural ones.

8. It is necessary to encourage skill and professional training, based on Universal Design principles and involving the whole tourist and technical professional profile chain: managers, employees, companies, public and private enterprises. It is also necessary to update curricula in all Schools for Tourism, Technical Schools, Universities, Masters and Academic Centres of all grades.

9. Local Authorities, according to their competences and functions, shall implement the accessibility of towns, public buildings and local transports, and shall also plan periodical control and promotion operations for tourist offers for everyone.

10. In order to implement and promote accessible tourism in a system logic, proactive collaboration among tourist Operators, Local Authorities, Public Bodies, disabled people Associations and social tourism Organizations is encouraged.
 

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Somewhere in my schooling I learned that the fall of the Roman Empire resulted in an uneven

diffusion of the technology of the era. Most often what survived and spread was the technology that was of direct use to those involved in agriculture. Ahead of the wave with this global reorganization of empires are projects like Ryan Hett and clan are doing at Trout Gulch where Isaiah Saxon, Sean Hellfritsch, and Daren Rabinovitch and Marcin Jakobowski's Factor e Farm. Their eclectic mix of Do-It-Yourself sustainable culture makes use of the most cutting edge technology with a nod to pattern language.

Awareness that the transfer of core human legacies does not happen seamlessly in times of disruptive technologies and cultural discontinuities is essential to reading "the signs of the times." The Rule of St Benedict: Primary and Secondary Sources was a calculated intervention to carry forward the monastic impulse of the manuscript age early in the rise of digital text. Trout Gulch is a resurgence of a full-bodied back-to-the-land movement. As it matures awareness will come that inclusiveness of human diversity does not arise, even in utopian communities, without explicit adoption of Universal Design and its principles.

What will Trout Gulch, Factor e Farm, and the numerous other small-scale experiments in alternate futures look like if they when they integrate Universal Design? What will the Indian versions evolve into by applying Universal Design India principles in a DIY style?



  




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The Bamboo Train

Follow Mitch St.Pierre -- if you can keep up!


 

Trailer: Charlie Don't Surf

Three years in the making from Oceans Healing Group


Charlie Don't Surf, a documentary spotlighting three disabled surfers and the creation of the Ocean Healing Group, has recently launched in Hollywood and is now available for sale! 

Movie Trailer:



More about Ocean's Healing Group:

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Oprah Winfrey at her 50th birthday party at Ho...

Image via Wikipedia

By now most of the world knows that Oprah is taking travel with a disability mainstream through the comedy and insight of Zach Anner. New Mobility magazine offers an sneak peak:

In February, American television audiences learned that 26-year-old funnyman Zach Anner, who has cerebral palsy and uses a wheelchair, and home-cooking contender Kristina Kuzmic-Crocco, had been chosen as co-winners of the first season of 

Your OWN Show: Oprah's Search for the Next TV Star. The reality competition brought together 10 contestants selected from over 15,000 applicants to each vie to host their own featured series on the new Oprah Winfrey Network.

Anner is a native of Buffalo, N.Y., and a filmmaker who studied in the radio-television-film program at the University of Texas at Austin. Long before becoming one of Oprah Winfrey's two newest stars in training, he'd considered himself to be much more than just a sitting-down version of a stand-up comedian. 

In the spring of 2010, when the queen of daytime talk announced plans to give away a show, Anner's mom, Susan, an avid Oprah fan, was watching. She immediately called her son. "I always thought that Zach and Oprah should meet," she says. "I really always thought that she would really like him."


Read the whole article at New Mobility:
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